STUDIO LINKED VST HIP HOP BRASS TORRENT
i was impressed with studio brass, as it is a complex collection of instruments. there are a large number of sounds available. i thought that the sounds were easy to find, and they were easy to use as well.
all in all, i was able to find all of the sounds i needed for scoring. the instruments are arranged in a familiar order. for brass players, this library has everything from guitar brass to tuba brass, and everything in between. this is not a complex library by any means, but it does have a lot of sounds, and the variety of articulations is remarkable. studio brass is more than ready to use for today’s hip-hop, r&b, jazz and soul bands.
studio brass is a collection of authentic hip-hop, soul, jazz, r&b and funk instruments that are designed to be used in scoring hip-hop, soul, jazz, r&b, funk, and pop music. each instrument has its own custom interface, which means that you can load and unload instruments by clicking on the round circle just below each instrument name. for each instrument we have a volume knob, pan, mic distance, solo, mute and output assignment if you have multiple outputs configured in kontakt. during this review, my preference was to setup a separate instance of kontakt for each instrument (i.e. only that instrument loaded on the instrument page).
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for this instrument, we need to hear a lot of instruments in a short amount of time, so i started by recording the string section of a song in my home studio, editing in ableton live to chop up sections of the track. the string section was sent to the afrobeats synth, which was performing the actual instrumentation. the patches are fully written in the real context of the instrument. for example, the notes of the trumpet are written precisely in the context of the playing position (i.e. the notes written are the real notes played by the brass). for the first ten notes, the trumpet player plays a full breath, then plays two short breaths (three half notes) for the next three notes, then a full breath again for the next three notes. as an aside, it is worth noting that the drummer will not play within the context of a written note, as they can play outside of the notes; this is realistic. the breathing should be controlled by the expression, which is controlled using a cc. the shaker should be played in a way which maintains the musicality and character of the sample (i. a natural shake should be played). in addition to the breath and shake, the bell plays a peal of notes (a chime) and plays a series of tones. this is also realistic and written in the context of the playing position. the choir sounds natural and realistic, without any pre-processing other than applying pcm convolution. the choir is real-time (no looping). this is all done using convolution, which is also a key feature of this patch. the samples are 24 bit (not 16 bit as is often claimed in most other digital brass patches) and are tuned to match the brass part of the song. 5ec8ef588b